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Συγγραφέας Αγαπημένα-ενδιαφέροντα videos που ανακαλύπτουμε στο Web (youtube, vimeo κλπ)
Σαβ, 29 Οκτ 2016 9:18 am
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Μικρό Μολύβι
Μικρό Μολύβι

Feb 08, 2013

Ένα ενδιαφέρον βίντεο animation για το... animation! Happy

The Story
The film follows the journey of "You" (the main character), a 3rd-tier technical writer who dreams of one day being a product designer. Working after hours, he creates a fantastic new product. When he presents his product to his employers, they inform him that it's up to him to create an advertising campaign for the product - an advertising campaign that must be animated. This poses a problem for "you" - he knows very little about animation, and is instantly filled with doubts, and thus his future hangs in the balance. This is where our friendly narrator steps in, to guide "you" through the process of making an animated film. Step by step, our hero's anxiety and doubts are put to rest, and in the end, he is triumphant!

The Production
The Story of Animation came about as a solution to a problem: The Animation Workshop, an animation school in Viborg, Denmark, had been graduating a great number of incredibly qualified animators, animation producers, and CG artists over the past 10 years. These artists had been forming small companies and beginning to produce fantastic work. The problem was not with the studios, or the quality of work they were producing, but rather with the clients: Most of them seemed to believe that animation was a simple, uncomplicated process, and were often disappointed to learn that there were very specific stages in the animation process that required their participation (and finances). It's almost as if they believed that creating animation was as simple as pitching an idea, and then sitting back while a couple of animators with pencil and paper goofed off, told jokes, and drank copious amounts of coffee until "wallah"! the animation was finished! Furthermore, they seemed to think that there would be no difference in cost between an animated film created in flash, 2D, stop motion, cut-out, motion graphics, or fully rendered Pixar-style 3D animation! At the time Morten Thorning, Director of the Animation Workshop approached me with the idea for the film, I was experiencing similar problems with a client in Copenhagen. In fact, I'd just spent several days creating a presentation about the benefits of using animation for an environmental messaging campaign. I was tasked with convincing a panel of scientists, sociologists, environmental activists, and architects how animation could be used to create positive, engaging, and entertaining content for environmental action messaging - no small feat!

The Team
After talking things over with Morten, it was decided that I would write and direct the project, which would be produced by Claus Toksvig of The Animation Hub, and animated at Tumblehead Studios. Tumblehead, led by Magnus Moller, did an amazing job on the film, assembling a team of character designers, animators, storyboard artists, and background artists (all graduates or current students of the Animation Workshop). Tumblehead saw the entire process through, from concept to post-production. The narrator was voiced by the awesome Richard Spiegel, and the sound design and score created by Mark Menza, whose many credits include sound designer and composer for "The Jimmy Neutron Show". Additional support was provided by Thomas Ahlmark (a veteran of many Animation Workshop productions).

Σαβ, 09 Σεπ 2017 6:14 pm
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Dec 14, 2003

Shocked Shocked respect!!
33 ημέρες render και μουσική και σενάριο από τον ίδιο (Chris Jones, animator).
Τι να πεις.. πολύγωνα, textures, bumps, reflection maps, lights, rigs, κλπ....



Work in progress, hand-made with Lightwave, Sculptris and Krita, composited with Davinci Resolve Lite. Music by me. http://www.chrisj.com.au --- Due to popular demand I'm attempting to extend the soundtrack, but it's not coming easily... so it could take a while.

No scans, motion capture or photos were used (except for reference).

First half rendered in ~800 hours on a 2008 vintage quad core. Additional rendering by GarageFarm.

...μερικά ακόμη τεστς:

Τρι, 31 Οκτ 2017 7:07 pm
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Dec 14, 2003

#halloween βερζιόν


Ghostbusters Theme by computer hardware orchestra.

For a while now, Paweł Zadrożniak has been treating us to some classic tunes played on his Floppotron— a musical instrument built from 64 floppy disk drives Frankenstein-ed together. His latest work nails the Ghostbuster theme song just in time to update your trick-or-treat playlist.

Some songs on the Floppotron work better than others. Of course, the Zelda soundtrack is going to sound right; the 8-bit bleeps and bloops come from the same era of computing. At the same time, Darude’s techno classic “Sandstorm,” comes off as a little too manic when played on floppy drives. You can hear the equipment struggling to keep up and percussion is incapable of reproducing the necessary thump that makes you nod your head.

Ray Parker Jr’s “Ghostbusters” could have gone either way. It has old-school synth sounds that the Floppotron does best, and isn’t too heavy on the bass. But can it handle the pitch-shifted theremin-style tones that give the song its spooky flavor? Yup. It’s just as good as the original.

So if you’re putting some mood-setting tunes on your doorstep this Halloween, let us recommend including a little Floppotron. Tracks like “Enter Sandman” and “Sweet Dreams” will fit in great with the “Monster Mash.”

[από https://sploid.gizmodo.com/ghostbusters-theme-played-on-flo...1819972677]

Παρ, 15 Δεκ 2017 12:36 am
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Dec 14, 2003

Πρόσφατο πόνημα από τον εξαιρετικά ταλαντούχο δημιουργό Steve Cutts (μεταξύ άλλων είχε αναλάβει το video clip του τραγουδιού "Are You Lost In The World Like Me?" του Moby) με τίτλο "Happiness".

Μια υπέροχη δουλειά, πολύ πυκνή σε νοήματα αλλά και πλουσιότατη σε τεχνοτροπίες εικαστικής υλοποίησης και animation, πλοκή και πολλά επίπεδα ανάγνωσης και μελέτης. Δίνει μια εξαιρετική ανάγνωση/αποτύπωση του σύγχρονου πολιτισμού μας, σε μόλις 4 λεπτά.

Καλή θέαση! Wink

What does happiness mean to you? We tend to search for it in material things, substances, and career achievements, but often lose sight of what really matters to us in the process. London-based artist and animator Steve Cutts is taking a long hard look at this ‘rat race’ to which we’ve all found ourselves tied, and is examining our modern sources of joy in a satirical new short film that depicts us as the ‘rats’ we’ve become in the eyes of the system. It’s titled after that mysterious high we’re always chasing; “Happiness.”

The story of a rodent's unrelenting quest for happiness and fulfillment.
Directed and animated by Steve Cutts.

- 'Habanera' by Bizet
- 'Morning Mood' by Edvard Grieg

Τετ, 24 Ιαν 2018 12:10 am
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Dec 14, 2003

Video-σποτ καμπάνια του BBC με τίτλο "The Fearless are Here" για τους φετινούς (2018) Χειμερινούς Ολυμπιακούς Αγώνες

Μέσα από το συναρπαστικό και αφηρημένο ταξίδι 4 αθλητών από διαφορετικά αγωνίσματα, η ταινία απεικονίζει τα ψυχολογικά και φυσικά εμπόδια που αντιμετωπίζουν οι αθλητές των Χειμερινών Ολυμπιακών Αγώνων στην προσπάθειά τους να είναι οι καλύτεροι στον κόσμο.


A bold and exhilarating animated 2D film created by Nexus Studios’ duo Smith & Foulkes in collaboration with Y&R London is at the centre of the BBC’s ‘The Fearless are Here’ campaign that heralds the arrival of the 2018 Winter Olympics.

Via the thrilling and abstract journey of a luger, skier, curler, snowboarder, ski jumper and ice skater, the film depicts the psychological and physical obstacles Winter Olympics athletes face in their quest to be the best in the world.

From the beginning, the ambition was to focus on the feeling that fear and anxiety induce in top level athletes rather than simply represent it as a physical monster. The creative focus became how to dramatise the negative emotions that must be conquered in order to succeed. This drove the team towards a more shapeshifting, morphing animation style.

Smith & Foulkes researched live action filming techniques for action sports in the quest to achieve an authentic sense of movement through a 3D space and a team of artists at Nexus Studios worked to create the entirely 2D spot which was drawn and animated in a virtual environment using emerging VR cinematography software. Working in this way and with a perceivable depth provided the ideal testing ground and enabled the team to experiment at an early stage and consider different camera angles, just as if you were shooting in live action and with the sensibility of having a handheld camera.

Agency: Y&R London
Executive Creative Director: Mark Roalfe
Creatives: Gavin McGrath
Jim Bolton
Psembi Kinstan
Agency Producer: Kat Maidment

Production Company: Nexus Studios
Directors: Smith & Foulkes
Executive Creative Director: Chris O’Reilly
Producer: Tracey Cooper
Production Manager: Rebecca Archer

Animation Supervisor:
Michal Firkowski

Art Directors:
Alice Duke
Shen Yi

Callum Strachan
David Feliu
Jamie Jones
Maxime Dupuy
Melanie Climent

Animation Lead:
Bishoy Gendi

Duncan Gist
Hozen Britto
Ines Scheiber
Peter Lowey

FX Animation:
Frankie Swan
Ines Scheiber

Clean Up Animation:
Christina Nerland
Duane Uba
Giacomo Autili
Judit Boor

Compositing Lead:
Abel Kohen

Chris Moran
Daniele Baiardini
Elliott Kajdan
John Taylor

Edit: Dave Slade
James Alexander

Sound Design:
Anthony Moore @ Factory

Music Production:
Native Music

Composer: Fred Ashworth

Τετ, 24 Ιαν 2018 2:50 am
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Dec 14, 2003

Ένα υπέροχο επίσης βίντεο που έχουμε αλιεύσει εδώ και καιρό...


Athens | The Little Great City

Emmanouil Papadopoulos

Gustavo Santaolalla - "Pajaros"
(My Blueberry Nights OST")

Όλες οι Ώρες είναι GMT + 2 Ώρες (ώρα Ελλάδας)


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